Showing posts with label audio software. Show all posts
Showing posts with label audio software. Show all posts

Friday

Lecture Recordings and Audio Software

Guest Post by Brittany Lyons

With the onset of the digital age, access to resources online has become the norm. The majority of students are digital “natives,” able to find textbooks, academic articles, study help, and any number of other aids for their courses, or even earn entire PhDs, without ever moving from in front of their computer screen. But the one resource not always available to them? The lecture itself. However, many professors have begun to change that, as there are many advantages to having recorded lectures available for students to listen to online at their leisure. But what's the best technology to use for this purpose? And how can non-digital native teachers tap in to the power of that technology?

What makes online recordings so great is that they give students access to the information as many times as they need to hear it. Repeated exposure to difficult concepts can really help students wade through the information, especially if they have an auditory learning style. Knowing the material will be available later also cuts down on students asking for repeated explanations of the same material in class, which means more information can be covered in one lecture period.

Similarly, online recordings provide a ready resource for students who are absent, or for those who are falling behind in class. Rather than having to repeatedly re-teach material during office hours, the professor can refer students to the online recordings to gain at least a basic understanding, and meetings with the professor can then be spent clarifying things the student doesn't understand. This makes one-on-one meetings with students more effective and productive.

Of course, despite the potential benefits of making lectures available online, many professors have concerns. One major concern is that having recorded lectures available will lower class attendance. While this may seem valid on the surface, ultimately it does not appear to be a problem. Glogoff (2009) reports that class attendance is not negatively affected by having recordings of lectures available online; instead, students use the recordings as an additional learning tool on top of attendance. Many use the recordings while reviewing class notes, often adding additional information and solidifying their understanding of the course material. Plus, with the information readily available online, students worry less about taking studious notes, which means they're paying closer attention to the lecture itself.

So the biggest challenge for lecture recordings, then, is acquiring and understanding the technology necessary to produce them. Many professors have trouble with this because they are not digital natives. However, there are many easy options, especially when you consider the programs available through NCH Software.

The most straightforward of the options is RecordPad audio recording software, which will record up to two hours of audio in a single file. The program is easy to use, and can run concurrently with other programs. This means that professors can easily record their lecture on their laptop while running presentation software for their class. Once they've clicked the button to start recording at the beginning of class, the professor can forget about it until afterward, when recordings can be easily uploaded straight from the hard drive for student use.

For professors who want to edit their class recordings (for example, if there was a piece of information intended only for present students, to penalize those who skipped lecture), is an excellent companion product to RecordPad. This software allows pieces of recordings to be cut, copied, and pasted, so that material can be removed if needed. For classrooms with poor acoustics, WavePad audio editor also offers effects such like amplification and noise reduction, which will improve the overall quality of the recording.

NCH Software’s RecordPad and WavePad are user-friendly tools for classroom recording and audio editing that can easily and effectively create lecture recordings appropriate for online use. Both are available for Windows or Mac (including the iPhone), and RecordPad can even be used on an iPod if professors don’t wish to carry a laptop to class. WavePad is available for iPad, making it possible to edit from anywhere—even between lectures. Downloading is quick and easy, and free versions are available for both programs if a financial investment doesn't seem to make sense. And while purchased versions offer many interesting and useful additional options, they also offer free trials so you know what you're getting for your money. For even the most techno-phobic professor, these tools make recording and posting lectures so easy it would be silly not to do it.

Brittany Lyons aspires to be a psychology professor, but decided to take some time off from grad school to help people learn to navigate the academic lifestyle. She currently lives in Spokane, Washington, where she spends her time reading science fiction and walking her dog.
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Monday

Do More with Audio - Blog Carnival October 3, 2011


Here are this edition's entries to Do More with Audio:


HBAJAKE presents Should You Use Compression In Audio Recording? posted at Home Brew Audio

Martha presents Katy Perry Ties Michael Jackson's Record; Will She Break It?, saying, "Katy Perry is no one-hit wonder. This week, her latest single reached number one on Billboard’s Hot 100 chart. The track is her fifth number-one single off her latest album, which ties her for the most all-time off of one record. Michael Jackson was the only other artist to ever reach that number."

Danielle MacInnis presents Podcasting for small business posted at Flying Solo

Kelley Wilson presents 10 Reasons that iTunes is So Popular posted at MacApper.

Ken presents Top Audio Editor Even More Affordable In September posted at Pro PC Audio Recording on a Budget

Lisa Hood presents 10 Groups That Need to Be in the Rock and Roll Hall of Fame posted at ZenCollegeLife, saying, "Each year when the nominations are announced for the Rock and Roll Hall of Fame, people often pay more attention to who's not on the list than to who actually might be inducted."

bristolstudios presents Recording: Home Quality vs. Studio Quality posted at bristol recording and voice studios

Marie Kazalia presents Making Music From Everyday Objects, saying, "Sound artist R. Weis created his new Excitable Audible CD over a period of more than two years using recordings of many commonplace sounds found in his home."


You might also be interested in:That concludes this edition of Do More with Audio. Be sure to Submit your audio articles for the next edition.
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Tuesday

Retail Update: Hopping the pond to the UK

NCH Business Essentials Software now being sold in the UK
NCH Software continues to expand our presence in retail stores worldwide. Most recently, with the help of Channel Assist, you can now find several NCH Software products on the shelves of retailers like Dixons PC World in the United Kingdom. The UK is already one of our largest online markets, and we know that being in retail stores will only strengthen our presence there. Software titles available include Golden Records, Express Invoice and essential software suites of our audio software and business software products.
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Monday

WavePad: New Look, New Tools, New Features

Change doesn't have to be scary; in this case it’s really exciting: WavePad has a new look. Now, instead of tiny icons and long and packed menus, WavePad uses a ribbon toolbar to organize functionality by category. It really is easier to use than ever before.

WavePad continually receives praise for its user-friendliness. The interface isn’t intimidating to the beginner, yet doesn’t bury the advanced features more experienced audiophiles use on a regular basis. Its feature set includes recording, editing, and effects such as amplify, normalize, reverb, echo, and reverse and is extended by DirectX effects and VST plugin support, and an included royalty-free sound effect library. The new ribbon toolbar organizes all these aspects of the program, improving an already easy-to-use workspace.

Here is the Effects toolbar. Look how the features pop out at you:

WavePad Audio Editor 5.0 New Look, Tools and Features

There’s more to this latest version of WavePad, including the following features and tools:
  • Wah-wah effect, for emulating wah-wah guitar pedals
  • Vibrato effect, for modulating the depth and frequency of an audio sample’s pitch
  • Tremolo effect, for modulating the depth and frequency of an audio sample’s amplitude
  • Doppler effect, for simulating the sound of a passing vehicle from a higher to a lower pitch
  • Pitch speed profile tool, for changing the speed or pitch of select portions of an audio sample
WavePad version 5.0 is a major release, and we want you to experience it yourself. Download your copy of WavePad now.
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Hamish and Andy use WavePad to detect lies

WavePad Audio Editor shown on Hamish and Andy TV show to detect liesAs I was relaxing one evening last week I was surprised to see a familiar face on the TV - WavePad!

Australian comedy duo Hamish and Andy have taken their antics to New York where they are causing general mayhem. In an attempt to determine if Secretary of State, Hilary Clinton, was inviting them to a BBQ or simply making polite exit conversation, the boys visit a body language expert to help uncover the truth. There on his Macbook was none other our very own WavePad Audio Editor (with the classic theme selected) being used to analyse Mrs Clinton's voice patterns.

The result? A fifty dollar bet that they will NOT be attending a BBQ any time soon.

Watch the full episode of Hamish and Andy's Gapyear (episode three), WavePad makes its appearance starting at approximately 21 minutes and 30 seconds.
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Tuesday

Do More with Audio - Blog Carnival August 2, 2011


Here are this edition's entries to Do More with Audio:


Stephanie presents Outsourcing Audio Editing posted at Vox Daily discussing the decsion to outsource audio editing or keeping it internal.

Jason Briggs presents Delving Into Different Audio File Formats posted at Free Ultimate Hobbies.

Dave Taylor presents Convert WMA audio files to MP3 on my Windows PC? posted at Windows Daily News.

David Spark presents "How to be a podcaster" podcasting resources posted at Spark Minute.

Dan Friedman presents 10 Tips For Getting the Most From Your Voice Over Session posted at The ProComm Voiceover weblog.

Abraham Hyatt presents Audio Editing and Recording for Journalists posted at Digital Journalism Protland.

JC presents EVP - Electronic Voice Phenomena posted at Patently Paranormal.

Suzanne Bird-Harris presents My Favorite Audio Editing Tool posted at Suzanne Bird-Harris.


You might also be interested in:That concludes this edition of Do More with Audio. Be sure to Submit your audio articles for the next edition.
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WavePad Makes Doing Radio Fun Again

Guest post by Paulette MacQuarrie of Nash Holos Ukrainian Roots Radio

Back in 2002 I was introduced to audio editing software, when the AM station broadcasting my weekly radio show finally went digital and got rid of its reel-to-reel tapes.

It was the end of a romantic era, and I was not enamoured of the change. (Can anyone say "buggy whip"?) But I eventually realized it had ushered in an exciting new era of its own.

The things I could do now! No more razor blades, guesswork, or scrubbing tapes. No more recording shows onto cassette — they could now be archived on a microchip! And on a website for listeners who missed the radio broadcast. (This was before the term "podcast" was invented.)
Best of all, I could record in my own home studio. No more traffic!

I was well aware that as time marched along, my software was becoming dated. Still, it was comfortably familiar. I had become reasonably competent with it, and I hated learning new software on my own. It was hard enough with help!

When the time came to upgrade my computer, however, upgrading my audio software was no longer optional. I discovered to my horror that it was not compatible with Windows7.

audio softwareOne day while in an office supply store in Bellingham, WA I found myself in their software section. A nice-looking box labelled Audio Essentials by NCH Software caught my eye.

The description sounded good and the price was way less than an upgrade for my existing program. And, I recognized the name WavePad as one that a colleague has for years been ranting and raving about, and bugging me to try. So I bought it and once it was installed, it was pretty much love at first sight.

I don’t usually go crazy over software but WavePad cut my production time in half just on my first try. So what’s not to go crazy about?

Working with my old program involved selecting and arranging regions, then doing a mix-down to a Wave file. This resulted in a studio mix that, after all my finicky editing, was considerably more slick than what I had produced on reel-to-reel. And gradually I forgot how much I enjoyed the "performance high" from recording "live to tape" in my pre-digital days.

WavePad has rekindled that excitement while providing more efficient tools for the studio work.

Probably the most useful is "Insert file" (under Edit menu). I can add ready-to-air files (commercials, interviews, etc.), rip tracks off CDs in seconds and copy them in, as well as record my intros and extros right into the file. No mixing down and converting … just save file as an mp3 and I’m done.

Now the fun is back again!

I love the click-saving icons for basics like adjusting volume (Amplify), fading and cross-fading, mixing and pasting files, noise reduction, etc. I especially love how you can zoom in and out with the scroll of a mouse wheel!

WavePad has handy time markers along the bottom of the page and an indicator showing the length of the entire file and selections. That keeps me on track so I have less editing and adjusting to do later.

I still like to work in WAV because it’s uncompressed. The Batch Converter allows me to convert the show and several components to mp3s in a flash, to post on my program website. Skookum!

WavePad has to be one of the most user-friendly programs I’ve ever encountered. The interface is uber-easy and user-friendly. The brief video tutorials are helpful, and the manual is excellent. The support staff are prompt, friendly and helpful. Definitely real people!

Now I’m starting to experiment with MixPad and am finding it a similarly pleasant experience. It’s almost a surprise how fast and easy it is! I’m looking forward to using the other NCH products that came in the package.

My only regret is waiting so long to make the switch!

Author bio: Paulette MacQuarrie lives on Vancouver Island, Canada where she produces and hosts a syndicated one-hour weekly variety show called Nash Holos Ukrainian Roots Radio in (mostly) English. More details at the show’s website www.nashholos.com and blog nashholos.blogspot.com

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WavePad Analyzes Electronic Voice Phenomena

Guest post by Shawna Hunter, investigator with Florida Paranormal Research

Electronic Voice Phenomena EVP sound wavesI love using WavePad Sound Editor from NCH Software to listen to EVPs, or Electronic Voice Phenomena. EVPs are believed to be possible communication with different entities in the paranormal realm. When investigating paranormal activity audio recordings can be made and analyzed later, sometimes bring sounds and patterns to the surface that I didn't pick up with my ears alone, but after I review the audio, using WavePad, there's an EVP! The opposite is sometimes also true and I will personally hear something with during the investigation that is never caught on the digital audio recorder. It really is amazing stuff.

I use WavePad as a tool to review the audio from our investigations. It is a very user-friendly tool. I can cut a section of the audio, amplify, slow-down, and even loop the clip of audio in question. This enables me to show our clients the evidence in a clip. This is one of the easiest programs to use that I have come across for reviewing audio in regards to the capture of EVPs. I suggest WavePad as a tool to help anyone who is looking for an easy to use audio program for the capture of EVPs from their audio recordings.

Become a part of the investigation: www.thewhitenoiseforum.com
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Thursday

Record Your Own Audio Book

Record an audio book with sound recording softwareBooks on tape have been around a long time, when I was younger we would sometimes get an audio book to listen to in the car on a long trip. Now that people carry mp3 players almost everywhere there is no reason to wait for a road trip to listen to a good book. And, like ebooks, there isn't the pressure to sell huge volumes that is inherent when publishing a printed book, so it is much easier to get into. In fact with just some audio recording software and a high quality microphone you can get started recording your first audio book.

Once you have decided to record an audio book you can start getting prepared. You want to be very familiar with the text. Read first and record second. You can do some editing of the audio after recording, but you want to keep that to a minimum and keep a flow to the prose. Being familiar with the text will help you keep a steady pace. Keep your pace in check, you don't want to zip through it fast so that the listener can really appreciate and hear everything you are reading. In addition to keeping that slow pace, be sure to add pauses after sentences and paragraphs, and beware being monotone. Try to breathe some life into your reading, no one will want to listen to you drone on in a flat voice. Another suggestion would be to consider printing out a hard copy of the book. Unbound, single-sided pages will make page turning easy.

Once you are prepared you just need to schedule yourself a chunk of quiet time to sit down and start recording. You can estimate the total amount of time you will need by timing how long it takes you to read through a single page and multiply by the number of pages. For a longer book you might want to break it out into more than one sitting. A good choice for audio recording is WavePad Sound Editor. By recording directly into an audio editor like WavePad you can easily go in to the recorded audio file when you are done recording to cut out any places you might have stumbled or make any other adjustment that might be needed like amplifying or equalizing the audio file or eliminating any background noise that might have crept in. And if you recorded in more than one session you can merge the files together before publishing your final mp3 file and sharing it with the world.
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Monday

Do More with Audio - Blog Carnival June 6, 2011

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Give Your Music a Boost: The WavePad Equalizer

I have noticed a lot of questions on our YouTube channel about enhancing the bass in a song using WavePad audio editor. How is it done? Since the graphical interface of WavePad's equalizer was recently updated, now is the perfect time to review how to use it.

The first thing you want to do is load your music into WavePad. Do this by clicking the Open File icon on the toolbar, browse to your music file, and click Open.

Next, click the Effects menu and select Equalizer. This will open the Equalizer dialog, which might not be what you expect if you were looking for knobs and dials. This equalizer still weakens and strengthens frequencies like knobs on a mixing board, but represents the frequencies in graph form. The graph works logically enough; the low frequencies are represented on the left of the graph, the high frequencies on the right. If there is a point on the graph line that is higher, that frequency will be stonger. If the graph point is lower, the frequency will be weaker.

The easiest way familiarize yourself with this equalizer is to make use of the presets. Don't be afraid to play around with them and to adjust their settings to see how they affect your music--you don't have to commit to any changes until you click Apply.

Let's boost the bass as an example. Click the Play button and then select the Low Pass filter from the list of presets. You'll hear the higher frequencies drop down, giving a boosted effect to the bass. The result probably isn't exactly the sound you imagined, so you can make adjustments based on this starting place to even out the sound how you want. You can do this using the Low Pass Options dialog that opened when you selected this preset, but you'll have more control if you close the dialog and move around the graph points yourself. You can also add graph points by clicking on the graph's line.

For more information about how to use the different equalizer presets, view the Effects topic in the help manual. For more information about frequencies, view the General Audio Concepts topic, also in the help manual. The help manual is accessed by pressing F1 from the program.

To try WavePad and boost your bass, download the program from our website. You'll also want to see the other audio software we have for maximizing your audio production.
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Wednesday

Record DJ Mixes Live

Record DJ Software Audio Mixes LiveThe ability to not only save a playlist but record a DJ mixing session to an audio files was a highly requested feature for Zulu DJ Software for a long time running. Now that this feature has been added, we want to give you a quick look at how you can put it to good use for recording your DJ mixes:

Between the two decks there is a Recording indicator, just above the cross-fader. If you click on this indicator with nothing queued in the deck it opens the Recording Options dialog where you can set the output format, destination folder and file name. With your options set once you are ready to start recording click the indicator again to start or stop recording. The recording indicator will blink while recording is in progress. Note if you don't use the date-time stamp to name your recordings you will need to specify a new format, folder, or file name to avoid overwriting your previous recordings.

That is all there is to it. For quick access to your recordings you can open the destination recording folder from the file menu. Then you will be all set to share, save or edit your recorded DJ mixes with WavePad.
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Monday

More Software, More Languages

NCH Software localized Japanese audio softwareIn addition to the new products and new features and releases you have seen coming from NCH Software, you might not have noticed that our localized software of translated NCH favorites into other languages for users worldwide has also been expanding. Our translators have been busy working on releasing versions of our popular software programs in Spanish, French, German and now Japanese as well.

Going back to our roots in audio, the first releases in Japanese that are now available for download are Switch, Express Rip and MixPad, with more to follow. So you will now notice that from all of our home pages you can select Japanese (ๆ—ฅๆœฌ่ชž). So if you are looking for software in another language or if you have friends or family in other countries who could benefit from our easy-to-use software utilities, be sure to spread the word. And if you want to receive updates on software releases in a a particular language you can sign up for our newsletter(s) at:
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The Sound of Learning: Using WavePad in the Classroom

WavePad Audio Editor in the classroomWe recently cited some tutorials made by a WavePad audio editor user who uses music in language lessons. Now here is another example of WavePad helping in the classroom. This time, in her post The Two Faces of Technology, Kathy talks about using the iPad version of WavePad to record and playback a student's reading to help the student see and hear where they are making mistakes to help them improve their reading skills.

Reading her post actually reminded me of being forced to make audio recordings of oral exams in high school for my Spanish classes. I always found these assignments rather stressful, but I have to admit that it did force me to listen to what I was saying much more closely, and I would go back myself and listen to what I had said and rerecord multiple times before I was happy enough with the final result to turn it in. Kathy mentions that she thinks this would also "be great for teaching storytelling." Can you think of any other places where audio recording or audio editing might be beneficial in the classroom?

WavePad has several applications in the classroom, aside from its recording capability. We have found that instructors and professionals alike use it to create sound clips and soundtracks for their presentations. See how WavePad enhances your teaching, interviewing, and presentations, and download it today.
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Thursday

Music Editing for Language Lessons

music editing softwareWe recently found a series of videos made by a WavePad user as a guide for people just getting started with audio editing, and for using sound editing software to support use of music in language lessons. While many of the basics are covered in our WavePad video tutorials as well, if there is one thing I have learned, it is that sometimes hearing the same thing in a slightly different way can really help you pick it up. If you are looking for another source to help you ease into audio editing, you should check out this series of 7 videos covering some WavePad audio editing basics:
  1. Select and cut
  2. Splitting and trimming
  3. Saving files in different sound formats
  4. Changing audio track speed
  5. Changing audio track pitch
  6. Using slower speeds and looping to teach sections of a song
  7. Copying edited clips to a new file
So whether you are teaching or learning songs in another language, or you have any other audio projects, be sure that you have WavePad Audio Editor on hand. You never know when it might come in handy.
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Monday

Do More with Audio - Blog Carnival April 4, 2011


Here are this edition's entries to Do More with Audio:


Erik presents How Transcribing One Solo Can Entirely Change Your Approach To Improvising posted at Jazz Advice.

Stephen Fortune presents Making Automatic Music With The Audio Environment posted at psfk.

Cory Doctorow presents Measuring radio's penetration in 1936 posted at BoingBoing.

Rose Minz presents The 50 Best Blogs for Music Theory Students posted at Match A College.com.

Bryan Keithley presents Guitar, Meet iPad posted at Finally Fast, saying, "Review of Apogee's new JAM plug in and play interface for the iPad. A great little interface device for folks looking to use their iPad as a portable studio."

Mr Audio Books presents The Essential Guide to Downloadable Audio Books posted at Audio Book Downloads.

U2TOURFANS presents On the road with U2 - U2 360 Tour News, U2 Videos, U2 Music, U2 Concerts, U2 Lyrics, Twitter, Facebook, Youtube posted at U2TOURFANS, saying, "On the road with U2 is dedicated to providing the best U2 experience from around the world. U2 Fans can follow via twitter, facebook, youtube channels and more."


You might also be interested in:That concludes this edition of Do More with Audio. Be sure to Submit your audio articles for the next edition.
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Friday

Use What Works: Why a Podcaster Uses Switch Audio Converter Every Day

Guest post by podcaster Kole Ross www.koleross.com

We take it for granted that our tools do what we ask them to. If they didn't, we probably wouldn't use them anymore. What makes a piece of software great, however, is how easy it is to tell it what to do. For me, Switch Audio Converter is one of those great programs, and I rely on it daily.

I'm an underemployed podcaster, a part the digital serf caste. You see us around, the overweight or underweight bearded dudes with laptops, blogs, and opinions about why Facebook sucks.

I graduated from an Electronic Media program where I was surrounded by these digital serfs, and learned how to use lots of different pieces of media software. Final Cut Pro, Adobe Creative Suite, Pro Tools, the list goes on. If you have more than a passing acquaintance with these software suites, you probably have an opinion about which one works best.

I get them, I understand how to use them, and I know how powerful they can be. When I was starting out, though, I could never shake the feeling that they were "too much." If you're cutting a steak, you don't whip out a Swiss army knife. You use a steak knife, like a normal person.

I started podcasting in 2007, wanting to turn my internet radio show into a packaged, persistent product. This first podcast eventually turned into Stand Under the Don't Tree and Riddle Me This, a video game talk show with a bewildering name. Three years later, I started a second podcast, Those Damn Ross Kids, a NSFW comedy podcast that I do with my brother, Kris.

When you're a poor student (or even a poor graduate—feed me please) it's difficult to afford fancy software to fuel your hobbies. So, you use what works. To this day, I edit my shows in Garageband because it's free and simple. A friend of mine once criticized me for using "kiddie gloves," but my response remains: "It doesn't get in the way when I sit down to make things." I like a program that does one thing well. Every button and lever I don't use is just wasting my time.

The same goes for Switch, which simply does what I ask it to without putting up a fuss.

The end product of a podcast is always an MP3 file, but it goes through lots of different phases in its life cycle. The shows are recorded over Skype as high-sample rate stereo AIFF files. My voice is always on the right channel, while the incoming audio from Skype is on the left channel. I drop this file into Garageband to separate the tracks, and re-export them so that I'm able to do multitrack editing, making editing out overtalk a breeze.

The separated files are still in stereo, though, so I pop those back into Switch to squash them into mono AIFF files. These are easier to edit, and take up half as much space. I then put these files onto separate tracks in Garageband and go to town, making what we say clever and insightful.

When I'm done with that, I apply the Levelator to the AIFF. The Levelator's motto should be "Crummy thing go in, pretty thing come out." It doesn't work all the time, but it's better than spending an hour trying to configure a compressor.

The final step comes when I drop the finished file into Switch again, compressing it to a 96kbps mono MP3 file for distribution. This is the best compromise between sound quality and size. It's a quick download, and it doesn't waste all of that time I spent equalizing it to sound good. Switch made this easy to figure out. All I had to do was mess with the encoder options and re-convert until I got something good.

Voila, that's a podcast. Spank it on the bottom, FTP it, and let the world know that it's ready.

There have been other times in my professional and academic career where Switch has bailed me out... For example with how finicky Final Cut Pro is vis-รก-vis what kind of audio files it will play nice with.

The moral of the story is this: Even though the aforementioned $1000+ media suites can probably spit out the kinds of files you want, I don't need all of the excess functionality that comes with it. Switch just exists. It's a box on my desktop that takes one thing and makes it into another thing, without complaint.

I don't need a Jaws of Life to open my beer, thanks. Just let me make something and get on with my day. My job is to be funny in front of a microphone, not fiddle with software.
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Wednesday

Become a DJ: Learning the Software is Half the Battle

Zulu Virtual DJ Software is an easy-to-use dj software program for mixing track after track during live performances, or you can simply let Zulu be the DJ for you.

To make getting started even easier, we put together this introduction to Zulu DJ Software video tutorial to help aspiring DJs learn their way around the Zulu interface. The video covers the music list, auto play, using the deck, setting the beats per minute (BPM) and using auto-sync, the pitch slider and speed controls for smooth transitions between tracks. It also covers setting cue points, looping, applying effects, and using the headphone output.



Once you've learned some of the basics covered in this video, then all that's really left is picking out the songs to play and keep things moving at your next party.
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Friday

New: iPad Pocket WavePad HD Audio Editing App

One more way to easily record and edit music, voice, and other audio on the go.

Pocket WavePad iPhone app and iPad appWe are excited to announce the new iPad version of the NCH Software favorite, WavePad Audio Editor is now available for download from the Apple iTunes App Store. The iPhone Pocket WavePad App was released in October 2010, and since then we have had a lot of positive feedback on the free audio editing app. The release of the iPhone app prompted requests for an iPad version to make use of the larger screen, and to make precise audio selection and editing easier for iPad users—a request we are happy to now fulfill.

The iPad Pocket WavePad HD Audio Editor provides a remarkably easy way to record and edit audio, voice and other sound recordings while on the go. Normalize audio levels, apply audio effects, and reduce background noise. Recordings can be sent by email, ftp upload, or iTunes file sharing from Pocket WavePad for you to share, use, or even broadcast later.

Pocket WavePad the ideal solution for professionals such as journalists, scientists, and other audio enthusiasts on the go. It also makes significant strides in mobile audio editing, as WavePad user and audio aficionado Andrew Wardell said, "The very tactile method of manipulating audio in this app, combined with the amount and quality of features NCH has packed in has made iOS a serious competitor in the mobile audio editing space."

Users of Pocket WavePad should also try more of the NCH Software Audio Essentials Suite, as well the other NCH Software iPhone apps.
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Monday

Do More with Audio - Blog Carnival February 7, 2011


Here are this edition's entries to Do More with Audio:

Florine Church presents 20 Incredible TED Talks for Both Music Students and Lovers posted at Bachelor's Degree.

Jennifer Lynch presents 20 Soulful Blogs for Vinyl Fans and Collectors posted at Top Online Colleges.

Bobby Owsinski presents Bobby Owsinski's Big Picture Production Blog: 5 Steps To Prep For Mixing posted at Bobby Owsinski's Big Picture Production Blog.

Jena Ellis presents 11 Greatest TV Theme Songs of All-Time posted at Online Certificate Programs.

Katie Tellefson presents 40 Blogs for the Cajun Enthusiast posted at Accredited MBA, saying, "With Cajun culture and history comes amazing music and even more amazing food. It isn’t every day that you get to nosh on gumbo or dance to the sounds of a fast-paced accordion, but with these Cajun enthusiast blogs, you’ll gain a better understanding of the culture and appreciate its quirks."

Steve Guttenberg presents Does lossless audio guarantee good sound? posted at The Audiophiliac.

Nathan Madsen presents Tips for Creating Audio for the iPhone posted at The Sonic Spread.

You might also be interested in:That concludes this edition of "Do more with audio." Be sure to Submit your audio article, story or success to the next edition.
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